The Secret Language of Comics

Ezra Klein interview on Artificial Intelligence

Last week, Ezra Klein interviewed Kelsey Piper, a senior writer at Vox who has been especially active covering A.I.: “A.I. is About to Get Much Weirder. Here’s What to Watch For.” The expansion and improvement of A.I. models just since we talked about the subject earlier this semester has been remarkable and unsettling. Piper explains at one point, “I think that a lot of people anticipate we are not very far from systems that can do any job you can do remotely, anything you can do on your computer, so coding, like secretarial work, receptionist work, journalism, everything like that. I think that some of those same people would say we can invent better scientists and do science a lot faster.” (Though it’s not perfectly clear within the context of the interview, “not very far from” here seems to mean roughly 5 to 20 years away.) When we discussed ChatGPT earlier this semester, version 3 was available to the public and it scored in the 10th percentile on the Bar exam. Version 4 has since been released and it scores in the 80th percentile on the Bar exam. There is a ton of work being done on training A.I. to code A.I., with the expectation that once that breakthrough occurs A.I. development will increase exponentially faster.

The central point that I focus on in that conversation is this:

And I think something most of us believe about the internet at this point is it would have been better, all things considered, if surveillance advertising had not become the dominant model for all of the biggest players. I’ve said before on the show, I worry about A.I.s of this magnitude being hooked up to surveillance advertising. But there’s other things I also worry about them being hooked up to. And I think people are really unreflective at this point or underfocused on this question of regulating how you can make money within machine learning is actually very important for affecting the path of machine learning in the long run.

And I’m not sure that I know — in fact, I’m sure I don’t know — what is safe and what is not safe here. But a world where there billions of dollars to be made because the U.S. government had set up a series of prize competitions for things like the protein folding problem, which DeepMind was able to solve, you’d get A.I. systems that could do one thing, and a world where there’s billions of dollars to be made in trying to get me to buy things and manipulate my behavior, like you’ll get A.I.s that do another. I really worry about the most obvious profit models being a spur, then, to create A.I.s.

I mean, if you create A.I.s, and the main way they make money is manipulating human behavior, you’ve created the exact kind of A.I. I think you should fear the most. But that’s the most obvious business model for all of these companies. It’s what they already do, whereas that’s not what, say, Pfizer does. But Pfizer’s is the one creating the — this seems obvious to me, and I can’t seem to get anybody to care about it.

And yesterday, this article at New York Magazine wonders “Will ChatGPT Become Your Everything App?” after OpenAI announced plug-ins for their software, effectively creating the possibility that they can “reorient the entire internet, as well as users’ own devices, around chat.” The goal, according to Herrman, is to “manifest the Silicon Valley dream of an everything app: one piece of software through which you use all others, an operating system for everything, a fundamentally different way of interacting with our computers and phones, and a thing that replaces the home screen, search box, feed, or maybe all of the above.

Week Ahead: 7

2/26 Sketch 7: Quadriptych
7 2/27 It’s Lonely at the Centre of the Earth
3/1 It’s Lonely at the Centre of the Earth Tracing Pages

There are no page numbers or even really clear chapter breaks in It’s Lonely at the Centre of the Earth so it’s a challenge to tell you where to break the reading. However, right about in the middle of the text there is a two page spread where on the left the cover of the book is reproduced and on the right there is another full page image that reproduces (with some differences) the dedication page from the front of the book.

This book is brand new — it just came out in November 2022. I’m going to be reading it right along with you, so I don’t know exactly how the narrative goes, though I have flipped through the book. I should warn you in advance that the graphic narrative includes pretty extensive and explicit discussions of self-harm and depression.

Zoe Thorogood is twenty-five years old. This is her second book, so I would imagine that the first set of comparisons we might make as we begin discussion on Monday will pick right up from the end of our discussion on Wednesday this week — what we look for from an author who is still young and close to the subject material versus from an older author writing from a greater distance, albeit with wider perspective. I think Thorogood is more “out there” than Walden is in Spinning but I’ll be curious to hear how you relate to her narrative. Also what you think of the tone and visual style of this new narrative.

Week Ahead: 5

2/12 Sketch 5: Triptych
5 2/13 Spinning– Prologue and chapters 1-3 (1-114)
2/15 Spinning — chapters 4-5 (115-82) Literacy narrative comic storyboard (in class)

I’m looking forward to seeing your Triptychs over the weekend — main thing I’m looking for is a comic with a beginning, middle, and end and/or with a clear pattern setup and then a twist.

On Tuesday, we’ll focus on the beginning of Spinning, starting off that discussion by comparing Walden’s graphic narrative to David Small and to Allie Brosh. Tillie Walden won the very prestigious Eisner Award for Spinning when it was published in 2018, when she was 22 years old. Spinning, which again was published when she was 22 years old, was Walden’s fourth graphic narrative book. In the five years since Spinning was published she has published eight more books (to be totally fair, two of those are forthcoming later this year). You can read all of her fifth book, On a Sunbeam online here — it’s worth at least glancing through some of those pages to get a sense of where her style has gone since Spinning.

We’ll start with comparing how Walden establishes character and setting compared to Small and how her tone /visual style is similar and different to Small’s. How does Walden use the page, panels, and gutters in comparison to Small? Note that there is one small moment in Spinning where Walden shows herself holding a copy of Stitches, so she has signaled for us that Small’s text is an influence for her — how has it influenced her as a writer?

Before class on Wednesday, please publish to your site images of your storyboard. They can be photographs of drawings if your work is analog. Just make sure they are legible. If you have a hardcopy of your work, bring that in with you to class too. We’ll spend a chunk of class in small groups sharing your storyboards and giving each other feedback. We’ll hopefully spend a bit of time discussing chapters 4-5 of Spinning too.

Conference Sign Ups

You can use this link to sign up for a conference. Please make a note in your calendar when you sign up.

I’m not embedding the form here because the Zoom link for conferences is included at the top of the sheet and I want to avoid publishing that link publicly for security purposes. The Zoom link is also in our Slack channel.

I’ve listed basically every free half-hour in my schedule from tomorrow through Tuesday. If none of the times listed works for you, then send me a message on Slack or email or talk to me after class today and we can schedule something individually, but I’m really hoping that everyone can find something that works from the list provided.

ChatGPT from OpenAI

The first really tangible example of the burgeoning research into Artificial Intelligence that broke into mainstream culture is the ChatGPT application produces by OpenAI. It’s a large-scale neural net with a natural language “chat” interface. It blew up at the tail end of last year and then has been the subject of lots of discussion at the start of this semester around how to understand its impact in educational institutions.

Some articles for more information:

Let’s spend some time in class discussing this tool and its implications. In preparation for that conversation, I tried starting a conversation with ChatGPT using two of the assignment prompts from this semester’s work that you’ll be responding to.

Here’s the discussion I had with it about David Small’s Stitches:

Deductive -> Inductive Writing

Hopefully, there will be time in class today to look at the essay below as a method for breaking down differences between inductive and deductive writing and to look at a more concrete example of an ABT thesis.

A number of years ago, I assigned students at a class three hard-boiled detective short stories and assigned them to write a comparative essay in response. I no longer remember the exact prompt I gave those students, but they needed to compare the stories. The three stories are all set in Los Angeles: The Big Sleep is one of the originators of the genre, with a white male hardboiled detective in the 1930s; in “Murder is My Business” the protagonist is a lesbian detective in LA of the 1980s; and in Devil in a Blue Dress the protagonist detective is a black man in LA of the 1950s.

Below is a real essay a student wrote in response, which has some good observation in it but the five paragraph structure of the essay seriously undermines the author’s ability to make any kind of argument. Please read over the essay (it shouldn’t take more than 5 or 10 minutes). In class, we’ll spend about half the class looking at this example and go through an example process of revising the structure of this essay to be an inductive essay using an ABT thesis.

Week Ahead 3: Brosh, Small, Sousanis, and Olson

1/22
3 1/23
1/25

You should finish up your Literacy Narratives this weekend. Post the essay to your site as a page (not as a post) then you should also write a post that provides a compelling overview of your essay and also reflects on the writing process. In that post, link to the essay’s page.

On Tuesday, we’ll spend a bit of time discussing Adventures in Depression, Part Two, but we’ll likely devote most of the class period to discussing Randy Olson’s ABT thesis structure. You should be able to skim the Olson essay fairly quickly — the key idea is understanding the (bad) deductive structure that Olson describes and then his suggestion for improving it by utilizing a (good) inductive structure instead.

In class on Thursday, we’ll spend the bulk of our time discussing the opening section of Stitches. As you read those first 50ish pages I would like you to consider the following questions:

  • How does Small establish character and setting in the introduction?
  • This chapter all takes place while David is 6 years old. What are the major subdivisions of the chapter though? You’ll probably decide that there are three (maybe four) major sections in these pages — what is the primary idea being conveyed by each section?
  • Pick the single page that you find the most compelling or interesting or that you think is the most important in today’s reading. Describe the page in a few sentences. Why is it interesting or important?

We’ll also look at two chapters from Unflattening by Nick Sousanis, who drew Unflattening as his dissertation for Teachers College at Columbia University — it was the first comics dissertation ever and has since been published by Harvard UP and has won a bunch of awards. Sousanis took a job at San Francisco State University a couple of years ago and is building a comics studies program there.

Unflattening will serve as one of the theoretical frameworks for our analyses of comics. Be aware that this comic is probably a little more dense reading than you’ll find Stitches to be, so give yourself a little extra time to work through those 20 pages carefully. I’ll start off our discussion of Sousanis by asking you to consider how effective Unflattening is as an academic, philosophical argument. (Soon we’ll read another theoretical framing text, but in the form of a more traditional essay by Hillary Chute and I’ll ask you to consider how the two pieces are similar and different.) How do the words and images in Unflattening interact together? Is it different than what happens in Stitches?

Kindred television adaptation

I heard last year that FX was going to adapt Octavia Butler’s novel Kindred for television — we’ll be reading the comic adaptation later this semester — but I somehow missed that the first season came out in December on Hulu. I don’t know if it is any good and I probably won’t have time to watch the series until after this semester is over. If any of you wants to watch it, I’d be really interested in hearing about how it compared to the comic when we read it. I’ll offer extra credit if you write a post on your site analyzing one or more of the episodes and comparing it to the comics version.

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